I've Often Not Been on Boats

One of our favorite movies is Rosencrantz and Guildenstern are Dead - a very clever Tom Stoppard 1990 movie based on his equally clever 1966 stage play. Rosencrantz and Guildenstern are bit characters in Shakespeare's Hamlet, who appear in just few scenes of Shakespeare, but are the main characters of this story.

In R&GAD, Rosencrantz and Guildenstern (or is it Guildenstern and Rosencrantz?) travel through the parts of Hamlet that their characters appear in, all the time trying to determine what the rest of Hamlet is about. They appear in only a few scenes of Hamlet, but from just those scenes as "real characters" caught in the story, they are trying to determine the full story of Hamlet. What they end up with is convoluted and inaccurate, because their characters are never exposed to key parts of the story.

The dialog is clever and quick, including a verbal tennis match. The comedy ranges from simple slapstick to deep irony. They ponder the meaning of life, death, time, and even boats. At one point, there's a play within a play within a play within a play. It's a movie worth seeing several times, because you don't catch every joke, gag, and line the first time around.

Sometimes we do the same thing with life as Rosencrantz and Guildenstern. We look at only the scenes in which we appear, and then try to figure out the overall narrative, the "big picture" of life. Based on just the tidbits we personally experience, we try to reconstruct an intelligent play written by a gifted author. And we rarely do a good job of it. We ponder the meaning of life, death, time, and even boats, and conclude something far more convoluted than the actual narrative, because we've not been exposed to key parts of the story.

Rather, we should just read the full play that the author wrote. Only then does the whole story make sense. And only then do our few scenes make sense. The story is not about us, and so we cannot reconstruct the story based only on the scenes that do happen to be about us.

Rosencrantz says,

Whatever became of the moment when one first knew about death? There must have been one. A moment. In childhood. When it first occurred to you that you don't go on forever. Must have been shattering, stamped into one's memory. And yet, I can't remember it. It never occurred to me at all. We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction, and time is its only measure.

This unalterable progression of time is a storyline greater than our own, approaching long before we are born and advancing long after we die. Our lives are but one brief paragraph of a great play by a gifted author, rendered overly complex when we try to understand it from the inside out.